I am not a golden retriever
Feb. 7th, 2010 03:39 pmThis is going to relate to writing eventually, but first I'm going to put on my singer hat.
A few months ago, AsYouKnowBob and I went to see the baritone Thomas Hampson in recital, and afterward there was a Q&A session with him. Lots of cool stuff was said, but one thing in particular stood out to me. I'm paraphrasing, but in answering a question about getting nervous when performing, Hampson said that if you go out there because you have something to share, you'll be all right, but if you go out there seeking approval like a golden retriever, you're going to get nervous every time.
Of course, it's not quite as black and white as that statement may sound out its original context. You can be performing purely out of artistic altruism and still get nervous. I think it's more the level of nervousness that's the factor here, and how much that nervousness affects your performance.
For the longest time, I could never figure out why I would get horribly nervous for some performances yet feel perfectly at ease for others. But after hearing Hampson's golden retriever comparison, the light bulb went off. I usually got most nervous when I felt like I had something to prove. But when I was just having fun or singing something because I thought it was great piece of music and/or appropriate to the occasion, there might be a little bit of nervousness, but mostly those were the times I was fine and gave my best performances.
So now when I feel myself getting nervous before performing or auditioning, I recite my new mantra: "I am not a golden retriever." And it's helped.
I think the whole golden retriever comparison can be applied to writing as well. Are you writing because you want "great story!" approval from those who read it or because you have a story you want to share?
With me (and I imagine many others), it's a bit of a mix. I would of course like approval, but usually I'm writing because I have a story in my head that I think is cool and I therefore want to share it. Or I'm writing just to have fun and in the process have discovered a cool or fun story. However . . .
There's that damned Internal Editor. Not only does she regularly try to make my right brain trip over the left brain out of her hatred for crappy first drafts, but she also likes to drag me out of the story by throwing sticks and encouraging me to go fetch them. "You know what your crit group is going to say about this bit right here. And you know what your Odyssey classmates would have said about that earlier thing. Oh, and this right here? Do you really think that's what magazines want? Especially those shiny pro ones you claim you want to break into . . ."
And it goes on like that. Now, as a writer who wants to sell her stuff, I do have to consider marketability and target audiences at some point, just as a singer will have to consider where and for whom they're going to perform a song since different audiences prefer different stuff. The first draft, however, is not the time for all that stuff, as much as my Internal Editor would like it to be.
In a previous blog entry, I compared the first draft to when I'm performing a song, and I think that still holds true here. I can worry about approval when I'm in the editing phase, or as a singer when I'm practicing. But I think I need to invoke my new performance mantra during first drafts as well. I've been playing far too many games of fetch lately.
So, Internal Editor? Here's the deal: I am not a golden retriever. I am a writer, and I have something I want to share, so let me get it down. Maybe I'll chase a few sticks later, but not until I know why I'm chasing them.
A few months ago, AsYouKnowBob and I went to see the baritone Thomas Hampson in recital, and afterward there was a Q&A session with him. Lots of cool stuff was said, but one thing in particular stood out to me. I'm paraphrasing, but in answering a question about getting nervous when performing, Hampson said that if you go out there because you have something to share, you'll be all right, but if you go out there seeking approval like a golden retriever, you're going to get nervous every time.
Of course, it's not quite as black and white as that statement may sound out its original context. You can be performing purely out of artistic altruism and still get nervous. I think it's more the level of nervousness that's the factor here, and how much that nervousness affects your performance.
For the longest time, I could never figure out why I would get horribly nervous for some performances yet feel perfectly at ease for others. But after hearing Hampson's golden retriever comparison, the light bulb went off. I usually got most nervous when I felt like I had something to prove. But when I was just having fun or singing something because I thought it was great piece of music and/or appropriate to the occasion, there might be a little bit of nervousness, but mostly those were the times I was fine and gave my best performances.
So now when I feel myself getting nervous before performing or auditioning, I recite my new mantra: "I am not a golden retriever." And it's helped.
I think the whole golden retriever comparison can be applied to writing as well. Are you writing because you want "great story!" approval from those who read it or because you have a story you want to share?
With me (and I imagine many others), it's a bit of a mix. I would of course like approval, but usually I'm writing because I have a story in my head that I think is cool and I therefore want to share it. Or I'm writing just to have fun and in the process have discovered a cool or fun story. However . . .
There's that damned Internal Editor. Not only does she regularly try to make my right brain trip over the left brain out of her hatred for crappy first drafts, but she also likes to drag me out of the story by throwing sticks and encouraging me to go fetch them. "You know what your crit group is going to say about this bit right here. And you know what your Odyssey classmates would have said about that earlier thing. Oh, and this right here? Do you really think that's what magazines want? Especially those shiny pro ones you claim you want to break into . . ."
And it goes on like that. Now, as a writer who wants to sell her stuff, I do have to consider marketability and target audiences at some point, just as a singer will have to consider where and for whom they're going to perform a song since different audiences prefer different stuff. The first draft, however, is not the time for all that stuff, as much as my Internal Editor would like it to be.
In a previous blog entry, I compared the first draft to when I'm performing a song, and I think that still holds true here. I can worry about approval when I'm in the editing phase, or as a singer when I'm practicing. But I think I need to invoke my new performance mantra during first drafts as well. I've been playing far too many games of fetch lately.
So, Internal Editor? Here's the deal: I am not a golden retriever. I am a writer, and I have something I want to share, so let me get it down. Maybe I'll chase a few sticks later, but not until I know why I'm chasing them.